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17 Janvier 2021
VG's is your source for great deli meats and cheeses, a fabulous wine selection, and fresh produce, providing value for all your fresh food and grocery needs. Select an image & remove the background – 100% automatically – in 5 seconds – without a single click – for free.
Background SVG files for using with your electronic cutting machines, terms of use can be found within your downloads or by clicking here.
These Background designs are Square Patterned Panels suitable for Layering and using as Backgrounds on your Cards and Scrapbooking pages.
How about using them as a Stencil/Mask? Here is a video showing different uses for your stencil: https://www.youtube.com/watch?v=M426SUBzP6k
Here is a tutorial showing how to use for Embossing with your manual die cutting machine: https://www.birdscards.com/embossing-with-cut-files/
and another one here: https://www.birdscards.com/how-to-emboss-with-background-files/
Background Bundle 1
Circles, Diamonds, Retro Rose and Shell designs are included in this bundle.
Background Bundle 2
This bundle includes the Hexagon, Hearts, Swirly 1 and Swirly 2 background designs.
Background Bundle 3
Checker Plate, Crosses, Paving and Chevron Background designs are in this bundle.
Background Bundle 4
This bundle has Bricks, Stars, Tile and Trellis Background designs.
Background Bundle 5
Floral, Flower, Geometric and Swirly 3 design Backgrounds are in this bundle.
Large Flower Stencil Background
I used this design to emboss the backing paper in my card. I cut 2 copies from thick acetate which I stuck together then ran it through my manual die cutting machine to produce a nice deep emboss.
You may also like:
Flowers and Frames Stencils SVG Collection
The Flowers and Frames Stencil SVG Collection contains 9 Flower themed Stencils and comes with a Flower Frame Storage Envelope:
1 x Flower Border Stencil, 1 x Square Flower Frame Stencil, 5 x Circle Flower Frame Stencils and 2 x Repeating Pattern Flower Stencils.
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Backgrounds are based on the loseless vector format SVG to optimize the image quality and file size.
In addition to SVG format, we also provide PNG format download for generating images in static form.
Instead of full-sized, non-repeatable background, you can also find seamless repeatable background patterns/tiles in Loading Patterns that are also animatable.
Loading Patterns provides thousands of animatable, seamless repeating SVG patterns that ships in GIF / APNG / PNG formats for both animated and static forms.
All backgrounds in their static form are released under Loading.io BY License ( similar to CC-BY ), so you can download these free backgrounds and use their static form in your projects with proper attribution; additionally, we also provide pro features for building animated images. You can subscribe and upgrade to pro account to unlock the animation features, or purchase per item to unlock the features only for the image you need.
If you don't want to attribute, we also provide options for you to pay to remove attribution. To learn more about loading.io license, please check our license document.
| Details | |
| Oil on canvas 91.0 x 72.0 cm. Arles: August, 1888 F 456, JH 1561 Munich: Neue Pinakothek | |
| History | |
| Provenance Exhibitions | |
| Analysis | |
| See below | |
| In August, 1888 Vincent van Gogh began painting a series of works which, as Dr. Jan Hulsker suggests 'perhaps more than any other of his paintings, have made him known throughout the world. They are often the only works with which he is identified.'1 This series is, of course, the sunflowers. Van Gogh envisioned his sunflower works as a series and worked diligently on them in anticipation of the arrival in Arles of his friend, Paul Gauguin. In a letter to Emile Bernard written around 21 August 1888 Vincent wrote: 'I'm thinking of decorating my studio with half a dozen paintings of Sunflowers. A decoration in which harsh or broken yellows will burst against various blue backgrounds, from the palest Veronese to royal blue, framed with thin laths painted in orange lead. Sorts of effects of stained-glass windows of a Gothic church.' (Letter 665). Vincent eventually planned a dozen sunflower works to be hung in the Yellow House which he and Gauguin would use for a studio. 'I'd like to do a decoration for the studio. Nothing but large Sunflowers. Next door to your shop, in the restaurant, as you know, there's such a beautiful decoration of flowers there; I still remember the big sunflower in the window. Well, if I carry out this plan there'll be a dozen or so panels. The whole thing will therefore be a symphony in blue and yellow. I work on it all these mornings, from sunrise. Because the flowers wilt quickly and it's a matter of doing the whole thing in one go.' (666). Unfortunately, Vincent's race against the changing seasons was unsuccessful and he was only able to complete four sunflower works in August, 1888. Without question, the most valuable resource with regards to insights into the development and execution of Van Gogh's works are his letters to his brother, Theo, and others. In his typically detailed and precise manner, Van Gogh describes the origin of the first three works in this series: I have 3 canvases on the go, 1) 3 large flowers in a green vase, light background (no. 15 canvas), [A] 2) 3 flowers, one flower that's gone to seed and lost its petals and a bud on a royal blue background (no. 25 canvas), [B] 3) twelve flowers and buds in a yellow vase (no. 30 canvas). So the last one is light on light, and will be the best, I hope.' [C] (666). A few days later Vincent writes in Letter 668: 'I'm now on the fourth painting of sunflowers. This fourth one is a bouquet of 14 flowers and is on a yellow background.'[D] The four works mentioned above are noted as 'A' through 'D' and further details are shown in this table below:
After Van Gogh's mental breakdown late in December in 1888, he would go on to paint three additional copies (F 455, F 457, F 458) of the original four sunflower works.
Sunflowers (Helianthus annuus) are an annual plant native to North and South America. The species includes more than thirty varieties including 'Orange Sun' and 'Taiyo.' The large, puffball like specimens seen in Van Gogh's paintings are known as the 'Teddy Bear' variety. 1. Jan Hulsker, The New Complete Van Gogh: Paintings, Drawings, Sketches, (p. 352). |
| Owner | City | Country | Date acquired | Comments |
|---|---|---|---|---|
| Johanna van Gogh-Bonger | Amsterdam | Netherlands | ||
| Paul Cassirer Art Gallery | Berlin | Germany | June, 1905 | |
| Hugo von Tschudi | Berlin | Germany | ||
| Neue Pinakothek | Munich | Germany | 1912 | Gift of a collector in memory of H. von Tschudi. |
| Year | City | Country | Venue | Exhibition Name | Start Date | End Date | No. |
|---|---|---|---|---|---|---|---|
| 1903 | Wiesbaden | Germany | Festsaale des Rathauses | Ausstellung der Holländischen Secession | 4 October 1903 | 30 October 1903 | 16 |
| 1903 | Munich | Germany | Kgl. Kunstausstellungsgebäude | Secession | 233 | ||
| 1905 | Berlin (1) | Germany | Paul Cassirer | Vincent van Gogh | --- | ||
| 1906 | Vienna | Austria | Galerie H.O. Miethke | Vincent van Gogh. Kollektiv | 6 January 1906 | 30 January 1906 | 21 |
| 1947 | Munich | Germany | Moderne Französische Malerie | ||||
| 1949 | Hanover | Germany | Landesgalerie | Französische Malerei im 19. Jahrhundert | 31 August 1949 | 9 October 1949 | 28 |
| 1951 | Paris (1) | France | Musée de l'Orangerie | Impressionnistes et romantiques français dans les musée allemands | 43 | ||
| 1953 | The Hague | Netherlands | Haags Gemeentemuseum | Vincent van Gogh 1853-1953 | 30 March 1953 | 17 May 1953 | 129 |
| 1956 | Munich | Germany | Haus der Kunst | Vincent van Gogh | 19 October 1956 | 16 December 1956 | 128 |
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